网站地图
首页
新闻
电影新闻
电视新闻
人物新闻
专题策划
影评
最新影评
新片热评
经典赏析
媒体评论
电影院
北京影讯
上海影讯
广州影讯
深圳影讯
成都影讯
电影库
典藏佳片
全球新片
即将上映
票房榜
社区
日志
相册
电影
好友
专辑
收藏
影视杂谈
明星时尚
文化休闲
群组
话题
达人
排行榜
电影榜
电视榜
人物榜
日志榜
话题榜

le Cinéma-un Art

您当前的位置: 社区>> 博客>>

编辑 | 删除 让子弹飞

冷月琰 发布于:

特地等足了十天才来说些什么,避免过多的主观臆断。

 

在豆瓣上

姜文之前的电影我都给足了五颗星。甚至巴不得给五十五百五万。。

但是这部我给了三颗。

一颗给他还没忘记的{太阳照常升起}。

从久石让和莫扎特,到树上的疯妈。

从没打够的枪声,到被疯妈的儿子附了体的新的别人的儿子。

从照常梦幻的色彩,到照常升起的墓碑。。上一次是天涯尽头。

这一次是应该2到尽头,覆水难收的6爷和木乃伊一样的夫人。

一颗给整个剧组的演员。

他们让人说不出这部戏里谁是大哥,谁是影帝,谁最潇洒,谁最惊艳

该老的还是老了,曾被曝光和放大过的一切美丽终究逃不过岁月的镜头。

该爷们儿的还是爷们儿了,到底已经数不出几个导演敢让三个老男人唱足一场戏而没有观众拍板。

 

还有一颗给谁呢?应该给姜文吗?我怀疑。

已经有太多太多的人民给了他荣光闪闪的赞扬了。

这样空前的簇拥甚至让我无法相信站在台上的那个人是姜文。

在电影界,尤其在中国的电影界,无数观众能对一个电影导演这样热络

至少在我的意识范围内,我看不懂。

这里没有一个叫做戛纳的小城。

是观众对姜文等急了吗?是吗?

我倒记得当年很多人从《太阳照常升起》的影院里出来后完全不知道这个导演在干什么而扫兴离去。

是电影的质量着实提高了吗?

也许是把孔维和陈冲换成了刘嘉玲,把黄秋生换成了周润发,把李不空换成了葛优

是把朝天飞的绣花鞋、搪瓷面盆和马小军的书包换成了特技里的闹钟和火车吧。。。

是这样吗?

 

然,姜文的才华是无可否认的。{才华}似乎变成了他的标签。

说{姜文有才华}似乎也变成了这样就表示自己很懂电影的那一撮人的标签。

可是,当年那些质问他为什么要让黄秋生突然自杀的那一撮人到哪里去了?

那个在台上回答{一个自杀的人,你不需要知道他为什么自杀}的导演到哪里去了?

那个只是坚持着自己,从不把“又高又硬”挂在嘴上的他又到哪里去了呢?

 

整场电影,我试图寻找他,在前后一片笑声、吃零食吸管子声都静了的最后

这末一幕的梦境里,我终于找到他了。

那个骑在马上的土匪

看着自己心爱的女人跟兄弟们远去,看着火车呜呜地从眼前飞驰,

有什么人回头看他,好像认识,不是被银子砸死的县长。

是欧巴。古伦木和傻逼。

有什么声音又在笑了,好像也湿漉漉的,不是死在床上的县长夫人。

是强吻马小军的于北蓓。是就是要小梁摸屁股的林大夫。。

而后,土匪骑着马 在恍惚中跟上了那截火车。。。

 

 

也许对我来说是整个影片最重要的几分钟。

幸好。在被一场盛大的荒诞洗劫过后,

土匪还没有把它统统偷掉。。。

 

 

这场电影我是带着娘亲去看的,

她简直不敢相信如今这么多人去电影院嘻嘻哈哈一场却花掉她好几天的买菜钱。

间隙她总是问我:

周润发怎么那么老头子了啦。。

这好像是喜剧吧?

这像喜剧一样的嘛!

我说:喜剧之外总还有些什么吧?不能只让人哭哭笑笑作数啊。

她:那就是笑笑呀。大家都在笑嘛。。

是啊。我也笑了。在电影院里。

从前看姜文也笑。在电影看过之后每一个回想的瞬间。

 

 

前几天大学同学在微博上说:非2很难看。

我回复她:早就料到了。口水片为了在岁末吞点票房回家过年而已。认真你就输了。

 

说完这话的时候我觉得自己也满好笑的。

说人家认真就输了。也只是一条微博。

难得我还在这里长篇大论地写什么日志。更是滑稽。。。

 

 

傻逼!

让子弹飞 Let The Bullets Fly(2010)

8 .5 / 6 .4

让子弹飞(2010)

影评(14269)

收藏(6733)

回复 (1) | 329 次阅读

编辑 | 删除 侯麦才走多久?新浪潮还能走多久。。

冷月琰 发布于:

 

为什么睡觉前看到这个消息~~好难受啊!!

 

以后再也不要轻易去喜欢哪些电影,哪个导演了!!

 

心酸啊!!

 

 

French filmmaker Claude Chabrol dies at 80

 

 

PARIS — French director Claude Chabrol, one of the founders of the New Wave movement whose films probed the latent malice beneath the placid surface of bourgeois life, died on Sunday(Sept,12,2010). He was 80.

 

Christophe Girard, who is responsible for cultural matters at Paris City Hall, announced the death on his blog. Other City Hall officials confirmed that Chabrol passed away, but declined to provide any details, including the cause of death.

 

A prolific director, Chabrol made more than 70 films and TV productions during his more than half-century-long career. His first movie, 1958's "Le Beau Serge" won him considerable critical acclaim and was widely considered a sort of manifesto for the New Wave, or "Nouvelle vague" movement — which reinvented the codes of filmmaking and revolutionized cinema starting in the late 1950s. The vastly influential movement also included directors like Francois Truffaut and Jean-Luc Godard.

 

Chabrol's movies focused on the French bourgeoisie, lifting the facade of respectability to reveal the hypocrisy, violence and loathing simmering just below the surface. Often suspenseful, his work drew comparisons with that of Alfred Hitchcock.

 

President Nicolas Sarkozy, speaking during his trip Sunday to the western Dordogne region, compared Chabrol to two giants of French letters, Rabelais and Balzac.

 

Prime Minister Francois Fillon called him a "great director, producer and screenwriter (who) was one of the grand figures of the 'Nouvelle vague,' which revolutionized the style and techniques of cinema by looking at real experience, true life, that which is indiscreet and subtle."

 

"With the death of Claude Chabrol, French cinema has lost one of its maestros," Fillon said in a statement.

 

Thierry Fremaux, who runs the Cannes Film Festival, told i-Tele news channel that Chabrol "had a much more classic style" than some of the other, more experimental New Wave filmmakers. "But in this classicism there was such an audacity, such freedom and erudition that I think — and history will tell — that his thrillers ... will remain something totally unique in French cinema."

 

Speaking on France-Info radio, Fremaux called Chabrol's death "a real shock because he was 80 years old but he continued to work, and the energy, feeling and joie de vivre that he'd always shown made you think he'd always be around."

 

"Claude Chabrol is part of our national patrimony ... for his films and also for his personality," he said.

 

Serge Toubiana, who heads the Paris Cinematheque, told the same radio station that Chabrol "was a delicious, malicious man with an incredible intelligence. ... He loved to laugh, loved jokes and made jokes, sort of masked himself through joking."

 

Chabrol worked at a fast clip, churning out about a film every year. He wrote some original scripts, but also adapted classics of French literature, including "Madame Bovary" (1991) and stories by Guy de Maupassant, for the cinema and for television.

 

Chabrol's top films included "Les Biches," or "Bad Girls," from 1968 and 1970's "The Butcher," as well as the 2000 mystery "Merci pour le chocolat," with actress Isabelle Huppert, one of his favorite actresses — who starred early on in her career in Chabrol's "Violette Noiziere," (1978) and "Story of a Woman" (1988).

 

Chabrol's last feature film, "Bellamy" — featuring another giant of French cinema, Gerard Depardieu — came out last year.

 

Chabrol was born in Paris on June 24, 1930. The son of a pharmacist, he said he "completely" belonged to the sort of bourgeois social milieu that would become the fodder for his films — "otherwise I wouldn't have dared" depict it, Chabrol said in a 1987 interview.

 

The bourgeois "are always amusing and they can also be very mean, so it's just marvelous," he told "Mardi cinema" television program.

 

As a young man, he studied literature and law before writing movie reviews in the respected French film magazine "Cahiers du cinema." He had not yet turned 30 when "Le Beau Serge," the story of a man's return to his native village after a long absence, was released to critical acclaim.

 

A bon vivant and longtime smoker, Chabrol was rarely seen without his trademark pipe or Cuban cigar — even on set. He was also a joker and liked to ham it up for the cameras, often making grimaces and funny faces while on the red carpet.

 

Chabrol also acted, making Hitchcock-style cameos in many of his own films, as well as those by other directors. He last appeared in this year's "Gainsbourg," playing a music producer in filmmaker Joann Sfar's biopic about singer Serge Gainsbourg.

 

In 2004, he was awarded the European Film Award for the body of his work and a year later received a top honor from the Academie Francaise.

Chabrol was married three times and had three sons. Funeral arrangements were not immediately known.

 

 

克劳德·夏布洛尔 Claude Chabrol
 

8 .6

克劳德·夏布洛尔

影评(12)|收藏(205)

回复 (0) | 126 次阅读

编辑 | 删除 La journée de la jupe

冷月琰 发布于:

 

Director:Jean-Paul Lilienfeld
Writers:Jean-Paul Lilienfeld
Release Date:21 May 2009 (Lebanon)
Genre:Drama

 

 

一个非阿佳妮莫属的角色

 

即使美人已老

 

只是美丽依然。

 

 

法国,似乎有太多说不完的故事。

 

暴力和神经质都落得如此脆弱的下场。

 

 

裙角飞扬的日子 La journée de la jupe(2008)

7 .8 / 6 .1

裙角飞扬的日子(2008)

影评(44)

收藏(258)

回复 (2) | 243 次阅读

编辑 | 删除 Le dîner de cons

冷月琰 发布于:

 

 

Director:Francis Veber
Writer:Francis Veber
Release Date:25 June 1999 (USA)
Genre:Comedy

 

绝妙的电影!

 

让人想起OZON的8 FEMMES

 

但大多观众也许更偏爱此片。

 

法国电影的神奇如是……

晚餐游戏 Le Diner de Cons(1998)

7 .8 / 6 .2

晚餐游戏(1998)

影评(64)

收藏(197)

回复 (0) | 217 次阅读

编辑 | 删除 mother teresa of Calcutta

冷月琰 发布于:

Director:Fabrizio Costa

 

Writers:
Massimo Cerofolini (writer)
Francesco Scardamaglia (writer)

 

Release Date:19 October 2003 (Italy)

 

Genre:Biography | Drama

 

Tagline:Her heart found the forgotten, her faith found a way.

 

 

 

麻烦看完这个再去仰慕那恐怖的贫民窟的百万富翁好吧?奥斯卡筒子?

 

算了。奥斯卡筒子不会懂的。。

 

 

 

即使你是诚实的和率直的,人们可能还是会欺骗你,不管怎样,你还是要诚实和率直;
人们经常是不讲道理的、没有逻辑的和以自我为中心的,不管怎样,你要原谅他们;

 
即使你是友善的,人们可能还是会说你自私和动机不良,不管怎样,你还是要友善;


当你功成名就,你会有一些虚假的朋友和一些真实的敌人,不管怎样,你还是要取得成功;


你多年来去建设的,有人在一夜之间把它摧毁 不管怎样,你还是要去建设;


如果你找到了平静和幸福,他们可能会嫉妒你,不管怎样,你还是要快乐;

 
你今天做的善事,人们往往明天就会忘记,不管怎样,你还是要做善事;


即使把你最好的东西给了这个世界,也许这些东西永远都不够,不管怎样,把你最好的东西给这个世界。

 

 

 --- mother teresa 

 

Madre Teresa(2003)

Madre Teresa(2003)

影评(4)

收藏(15)

回复 (0) | 277 次阅读

编辑 | 删除 La Faute à Voltaire

冷月琰 发布于:

 

Director:Abdel Kechiche
Writer:Abdel Kechiche
Release Date:14 February 2001 (France)
Genre:Drama

 

 

这诡异的电影该不会又是在十块钱三盘的地方买来的吧?

 

可怜这里连碟片这样东西都没有了。。

 

因为这是带在身上最后一张没看的碟子,所以看得还算认真。。。

 

因为看得认真。。所以。。没有完全看懂。。

 

只是。。很法国啊很法国。

 

后来的那个女猪脚很蔡依林啊蔡依林。。

 

里面那个法国小男孩哈可爱啊哈可爱~~~~

 

 

 

我看电影的水准果然越来越低级了。。。。

伏尔泰的错误 Faute à Voltaire, La(2000)

7 .2 / 5 .1

伏尔泰的错误(2000)

影评(4)

收藏(30)

回复 (4) | 199 次阅读

编辑 | 删除 Go Lala GO~

冷月琰 发布于:

 

 

老徐的华丽转身

 

引来骂声一片。杜拉拉升职记演绎了老徐的堕落记。

 

文艺范儿的堕落助长了商业的华美。

 

或许,这刚好正是导演想要的。

 

就像片中诸主角最终拥有了一个自己的FREASH START一样。

 

有一点可以肯定,如果老徐没有之前的那些认认真真的文艺片,这部电影将更烂不可看。

 

还有一点非常肯定,如果男主角找个耐看点的。。也许会对影片更宽容些。。

 

最后看到黄立行正面特写的笑脸。。

 

简直。。。救命了。。。快去跟周杰伦拜把子吧。。唉!!

 

 

 

杜拉拉升职记 Go Lala Go!(2010)

6 .0 / 4 .0

杜拉拉升职记(2010)

影评(4515)

收藏(2359)

回复 (0) | 104 次阅读

编辑 | 删除 Like a dream

冷月琰 发布于:

 

可以是个好片子的。

 

只是导演对维罗尼卡双重生命的学习

 

大概就只有那段舞蹈算是一个漂亮的作业了。

 

而之所以选择袁泉

 

因为她像极了木偶师手里的那个女玩偶。

 

 

 

至于别的。还是把袁泉的美,留给想象吧。

 

 

如梦 Like a Dream(2009)

7 .0 / 3 .1

如梦(2009)

影评(505)

收藏(616)

回复 (0) | 75 次阅读

编辑 | 删除 cracks

冷月琰 发布于:

Director:Jordan Scott
Writers:

Ben Court (written by)
Caroline Ip (written by)

Release Date:4 December 2009 (UK)

 

Genre:Drama

 

Tagline:Innocence isn't lost. It's taken.

 

Plot:A look at the lives and relationships among girls at an elite British boarding school.

 

 

 

 

 

出乎意料地,喜欢。

 

原以为会落俗和矫饰的东西,根本没有。

 

EVA GREEN 的张力在海边的学校里散发着灵气。

 

本来觉得就算不怎么好看也至少有她在,

 

可事实要比我想象得高级得多得多。

 

 

静默而纯实的东西。静静地欢喜。

 

 

另外,至少在我这里,不仅仅是性别问题,Cracks取代甚至超越了死亡诗社。

 

 

 

PS.不知道该在分类里放进欧洲OR英美了。。

裂缝 Cracks(2009)

8 .1 / 7 .2

裂缝(2009)

影评(735)

收藏(2083)

回复 (0) | 120 次阅读
标签:

编辑 | 删除 Sin noticias de Dios

冷月琰 发布于:
Director:Agustín Díaz Yanes
Release Date:30 November 2001 (Spain)
Genre:Comedy
Tagline:Heaven and hell are on Earth, and they're wearing heels.
 
 
 
 
 
 
所以说。。天堂总是和巴黎有关的么。。
 
所以说。。天堂也是会缺钱。。
 
所以说。。更妩媚的女人总是属于地狱的。。
 
 
也许地狱的弥乱、疯狂、暴力、美色。。。每一层里的罪恶更接近人间的狂欢吧。

 

 

佩鲁兹的标致表情。。

 

美丽的姑娘。。。虽然她每次一开口讲台词我就再也不想学西班牙语。。。

 

让温柔妖娆的一切都渗入了野味。。。

没有上帝的消息 Sin noticias de Dios(2001)

7 .7 / 5 .4

没有上帝的消息(2001)

影评(7)

收藏(159)

回复 (0) | 120 次阅读

冷月琰 (上海)

女 巨蟹座

日志分类