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编辑|删除 1111111111111111111

姜jiang 发布于: 2014-05-22 16:55

111111111111

归来 Coming Home(2014)

7 .6

归来(2014)

影评(648)

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回复 (0) |175次阅读

编辑|删除 张艺谋最新大作

姜jiang 发布于: 2014-05-22 16:27

好期待

归来 Coming Home(2014)

7 .6

归来(2014)

影评(648)

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回复 (0) |175次阅读

编辑|删除 11

姜jiang 发布于: 2013-07-15 09:51

柴智屏做为监制,这个片子还是可以看看的,周崇光可能是小四自己的写照吧,这个人物,立马把整体评分拉低五分。如果光看小说,应该是很好看的吧,可惜在这个片子拍成之前没有看到小说,现在人物已定格,亦就没办法看了。

 

整部影片穷尽奢华,将现实中的阶级等级表现的淋漓。其中一个只个助理的大学生,已达到广大高级白领的阶层,我不太明白,郭敬明拍这部奢侈片为了显示什么 ?我看了一下小说片段,亦是如此。之前看到一句话,大概意思是:一个成功的人,从来不会告诉别人,他最近看了什么书,做了什么,因为他不需要向别人展露自己的缺点。郭敬明需要的是什么 ?

 

做为一个新晋导演,这样已经很不错了,只是演员们,真的是么有演技哇,郭彩洁之前在《LOVE》里让我印象很深刻,很喜欢这个新新姑娘。杨MI,有演技吗?四个姑娘都很青涩,像刚长成的小苹果,只能看。像东北的姑娘,看看就好,千万不要说话。唉妈呀 。

 

小时代 Tiny Times 1.0(2013)

4 .2 / 5 .0

小时代(2013)

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编辑|删除 美国式的英雄

姜jiang 发布于: 2013-07-01 09:40

之前看过一篇关于美国式个英雄的帖子,大概意思,我只记得这句美国式的个人英雄。

最近几年,中国上映的这种大片《蜘蛛侠》《钢铁侠》《美国队长》《绿巨人》还有很多像《超级战舰》《变形金刚》系列,这种题材和《超人》让人看起来是那么的想似,混乱激列地打斗场景,一个人动不动就拯救一个国家甚至整个地球 ,相信用不了多久,英雄们就要去拯救银河系了。

 

 

《超人》的打斗场景真是让人印象极其深刻,本身我也非常喜欢宇宙系列的场景,上一次看到惊艳的画面,其实不是《阿凡达》,而是《普罗米修斯》,可能是人们对未知的世界总是充满好奇,尤其是斑斓的宇宙世界,而且总是幻想着另一个有生命的星球,另一种和我们一样的被称为“生命”的物种。

开头的画面,不管怎么说,万达的IMAX还是超级棒的,那种3D带来的真实感 ,让我一直处于紧张兴奋刺激的状态,开场的动画,虽然只是简单地介绍了氪星的历史,但能看得出,他们发达的科技,其实我当时在想,那个生命宝典,是不是就是计划生育~

 

 

和其他的英雄们一样,接下来就是英雄们的扭曲的,不为人类认同的成长经历,因为不被世人接受,因为极度受伤,造就他们诡异的性格,然后遇到他们的女神,然后再遇到坏人,然后坏人来打架,然后女神各种安慰,然后坏人被打败了。。。。。。虽然偶像剧各种狗血,但英雄剧却各种喷血,与其说没有剧情,实际是导演卖的是特效,因为我们的特效水平实在有限,所以每每看到那激烈又美丽的场景时总会想:毫无PS痕迹,毫无违和感啊。

 

 

超人:钢铁之躯 Man of Steel(2013)

7 .6 / 8 .0

超人:钢铁之躯(2013)

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编辑|删除 apple

姜jiang 发布于: 2012-06-14 11:48

Ridley Scott's "Prometheus" is a magnificent science-fiction film, all the more intrigui ng because it raises questions about the origin of human life and doesn't have the answers. It's in the classic tradition of golden age sci-fi, echoing Scott's "Alien" (1979), but creating a world of its own. I'm a pushover for material like this; it's a seamless blend of story, special effects and pitch-perfect casting, filmed in sane, effective 3-D that doesn't distract.

 

A scene at the outset shows a world with apparently only one animal being, a pale humanoid who stalks a high ridge surrounded by spectacular scenery. This person eats something that causes painful vomiting and rapid body decay. The vomit is followed into flowing water, where it seems to morph into living cellular structures. Where is this place? Is it Earth? Who is the being, and why is it alone and naked? Is the scene a visualization of the theory that life first arrived on Earth from outer space?

 

Cut to a human spaceship in the year 2093, qualifying "Prometheus" for a flash-forward spanning more years than the opening of "2001." The trillion-dollar ship Prometheus is en route to a distant world, which seems pointed to in prehistoric cave paintings. There's reason to believe human life may have originated there. It's an Earth-sized moon orbiting a giant planet, and at first it seems a disappointment: no growing things, unbreathable atmosphere. But the crew notices straight lines on the surface, and as we all know, nature makes no straight lines.

 

The lines lead to a vast dome or pyramid, and the film will mostly take place inside the dome and the Prometheus. But let's put the plot on hold and introduce two of the crew members: Elizabeth Shaw (Noomi Rapace) wears a cross around her neck and believes life ultimately had a divine origin. Her boyfriend, Charlie Holloway (Logan Marshall-Green), accuses her, a scientist, of dismissing centuries of Darwinism. What they find in the pyramid leaves the question open. Alien humanoids, in suspended animation, incredibly have DNA that's a perfect match for our own. So they could somehow have brought life to Earth — but why? And from this moon where they slumber inside their pyramid, or from another planet around a distant star? Why did they stop here? What are they waiting for?

 

The film then develops horror scenes comparable to "Alien," although it depends more on action and weaponry than that film's use of shadows and silence. For me, the most spellbinding scenes involve the crew members exploring the passages and caverns inside the pyramid, obviously unvisited in aeons, and their experiences with some of the hibernating alien beings. One of the key members of this crew is David (Michael Fassbender), an android, who knows or can figure out more or less everything, even alien languages, and is sort of a walking, talking, utterly fearless HAL 9000.

 

The alien race in "Prometheus" shares a body characteristic that reminds me of "Alien" and countless films since: Elements can detach from them and enter into other bodies as hostile parasites. This leads to an astonishing sequence in which Elizabeth, alone on the ship, discovers she is pregnant with an alien. Something and somehow finds the will to control a robot surgery device that removes it. Her later showdown with a waning oxygen supply shows equal resourcefulness; Noomi Rapace ("The Girl With the Dragon Tattoo," 2009) continues here the tradition of awesome feminine strength begun by Sigourney Weaver in "Alien." 

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