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英子'BLOG

甲以舞三秋

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姜jiang 发布于:

Ridley Scott's "Prometheus" is a magnificent science-fiction film, all the more intrigui ng because it raises questions about the origin of human life and doesn't have the answers. It's in the classic tradition of golden age sci-fi, echoing Scott's "Alien" (1979), but creating a world of its own. I'm a pushover for material like this; it's a seamless blend of story, special effects and pitch-perfect casting, filmed in sane, effective 3-D that doesn't distract.

 

A scene at the outset shows a world with apparently only one animal being, a pale humanoid who stalks a high ridge surrounded by spectacular scenery. This person eats something that causes painful vomiting and rapid body decay. The vomit is followed into flowing water, where it seems to morph into living cellular structures. Where is this place? Is it Earth? Who is the being, and why is it alone and naked? Is the scene a visualization of the theory that life first arrived on Earth from outer space?

 

Cut to a human spaceship in the year 2093, qualifying "Prometheus" for a flash-forward spanning more years than the opening of "2001." The trillion-dollar ship Prometheus is en route to a distant world, which seems pointed to in prehistoric cave paintings. There's reason to believe human life may have originated there. It's an Earth-sized moon orbiting a giant planet, and at first it seems a disappointment: no growing things, unbreathable atmosphere. But the crew notices straight lines on the surface, and as we all know, nature makes no straight lines.

 

The lines lead to a vast dome or pyramid, and the film will mostly take place inside the dome and the Prometheus. But let's put the plot on hold and introduce two of the crew members: Elizabeth Shaw (Noomi Rapace) wears a cross around her neck and believes life ultimately had a divine origin. Her boyfriend, Charlie Holloway (Logan Marshall-Green), accuses her, a scientist, of dismissing centuries of Darwinism. What they find in the pyramid leaves the question open. Alien humanoids, in suspended animation, incredibly have DNA that's a perfect match for our own. So they could somehow have brought life to Earth — but why? And from this moon where they slumber inside their pyramid, or from another planet around a distant star? Why did they stop here? What are they waiting for?

 

The film then develops horror scenes comparable to "Alien," although it depends more on action and weaponry than that film's use of shadows and silence. For me, the most spellbinding scenes involve the crew members exploring the passages and caverns inside the pyramid, obviously unvisited in aeons, and their experiences with some of the hibernating alien beings. One of the key members of this crew is David (Michael Fassbender), an android, who knows or can figure out more or less everything, even alien languages, and is sort of a walking, talking, utterly fearless HAL 9000.

 

The alien race in "Prometheus" shares a body characteristic that reminds me of "Alien" and countless films since: Elements can detach from them and enter into other bodies as hostile parasites. This leads to an astonishing sequence in which Elizabeth, alone on the ship, discovers she is pregnant with an alien. Something and somehow finds the will to control a robot surgery device that removes it. Her later showdown with a waning oxygen supply shows equal resourcefulness; Noomi Rapace ("The Girl With the Dragon Tattoo," 2009) continues here the tradition of awesome feminine strength begun by Sigourney Weaver in "Alien." 

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姜jiang 发布于:

fadfad

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aimma 发布于:

 1

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aimma 发布于:

 1

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aimma 发布于:

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sanalin 发布于:
有个250买了10头驴,回家的路上他觉得骑驴能轻松点,于是他就骑上了一头驴,边走边数,怎么数都是9头驴,他就纳闷了,明明买了10头,走丢了一头?她下拉又数数了,10头驴没少啊,于是又骑上了驴继续走,可是呢,他又发现又少了一头驴,他就下驴了,查了一下,10头没少,太苦恼了,他决定了,不骑驴了,骑驴就9头驴,不骑就有10头驴。 
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sanalin 发布于:

法国不进球,不进球,不进球,不进球。

 

该怎么形容看《超·杀人事件》的感受呢?东野圭吾一本正经的几部推理小说嚼完之后,再回头品尝他辛辣的幽默感,还真有点呛鼻了。书中有好几处描笔犹如针尖,不动声色地刺破了由作家、出版社与读者三面架构起来的“推理文学界”。读着解气、害臊、怨恨,然而好笑。于是,这些人都有点绷不住了,脱掉装逼的外衣肉搏相向起来,东野圭吾把自己摆在一个相对安全,甚至安全到焦虑的位置上,看待日本国引以为傲的推理小说产业是如何地百孔千疮,不堪入目。面上尽管写得热闹耍宝,却难掩骨子里的悲凉忧郁。《超》令我无限怀念筒井康隆的《文学部唯野教授》,都是满怀一腔愤怒以喜剧的形式揭露“严肃文学”的荒谬之处。相信但凡太有想法,又不肯出世的作家,都会忍不住表达对业界的看法,东野这一招如此之狠,如此不给面子,又如此让我着迷。


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sanalin 发布于:
法国队居然没进球,唉呀。还曾让中国进过球。
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sanalin 发布于:

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sanalin 发布于:
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